Document Type : Original Article

Authors

• toran safarpoor ¹
• shahrzad niazi ²
• atamohammad radmanesh ³

¹ دانشجوی دکتری زبان وادبیات فارسی، واحد نجف آباد، دانشگاه آزاد اسلامی، نجف آباد، ایران

² استادیار گروه زبان و ادبیات فارسی، واحد نجف آباد، دانشگاه آزاد اسلامی، نجف آباد، ایران

³ استاد گروه زبان و ادبیات فارسی، واحد نجف آباد، دانشگاه آزاد اسلامی، نجف آباد، ایران

Abstract

The aim of this research is to identify the parallels of the Makhzan-ul-Asrar Nizami from the 7th to the 10th century AH and to find the extent of the structural and content (stylistic, expressive) influence of the parallels in the Makhzan-ul-Asrar. The extent to which the parallels of the Makhzan-ul-Asrar used structural and content skills in comparison with the Makhzan-ul-Asrar and to find the structural and content innovation of the parallels of the Makhzan-ul-Asrar in comparison with the Makhzan-ul-Asrar are other aims of this research. In addition, this research has attempted to identify the methods of changing from a single topic and concept in the Mathnavi of the Makhzan-ul-Asrar and its parallels. The findings of the research show that none of the parallels of the Makhzan-ul-Asrar could achieve the same level and depth of speech and thought as the Nizami, and most of them have paid attention to the appearance and external structure of the Makhzan-ul-Asrar and have paid less attention to the military thought in the mentioned poem. Nizami uses all rhetorical devices and devices mostly for the purpose of developing themes and embellishing words and forms, and he uses them to make his speech more beautiful and to achieve a new and luxurious style. Nizami portrays even the simplest meanings and subjects in such a strange and artistic way that his equal cannot be found in any of his imitators.

Keywords

• نظیره‌گویی
• مخزن الاسرار
• سنت های ادبی
• نظیره پردازان مخزن الاسرار